[Take the Bait is spirited deliberation and/or discourse centered around the hyperbole of Phish’s music and fandom, passionately exuded via the written words of phish.net contributors @FunkyCFunkyDo and @n00b100. Opinions expressed herein do not necessarily reflect those of phish.net, The Mockingbird Foundation, or any fan… but we're pretty sure we’re right. Probably.]
The Bait: 11/22/97 is one of the truly great shows of Phish’s live oeuvre, and has a reasonable argument to be considered the finest show the band has ever played.
Set 1: Mike's Song -> I am Hydrogen > Weekapaug Groove, Harry Hood > Train Song, Billy Breathes, Frankenstein > Izabella
Set 2: Halley's Comet > Tweezer -> Black Eyed Katy > Piper > Run Like an Antelope
Encore: Bouncing Around the Room > Tweezer Reprise
n00b: One of the things I’ve tried to work out of my Phish vocabulary is the term “best”, because virtually every discussion regarding Phish other than “it’s good Trey’s not on drugs anymore”, to me, involves subjectivity and the biases and preferences of the person(s) having that discussion. So I tend to go with “favorite” instead, because it properly denotes that I’m talking about something from my own personal viewpoint, with my own personal biases and preferences attached. And now, with this preamble, let me say this: 11/22/97 is my favorite Phish show of all time. I’m sure you’ll agree that it’s your favorite, too, so I guess we’re going pretty short this episode!
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.