Sitting in a small, glass-walled meeting room with Trey Anastasio, Doug Wright and Amanda Green as they readied Hands on a Hardbody for its Broadway debut in 2012, I started to ask Trey—and yeah, let’s just call him Trey for our purposes here—about his long-running interest in musical storytelling.
"Gamehendge wasn’t a musical, but…,” I began.
“It was supposed to be a musical,” Trey broke in.
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